Reamp thorught amp sim simulator#Īmp simulator to shape your sound even when you recorded through a real amp. Small home studio) when you can just reamp through a sim during the mix. ![]() Could just be TH2 and this particular model. Next I want to try Revalver's Peavey 6505+ sim into the return of my T2 as a power amp and see how it sounds. It’s just a really nice saturation plugin with a fine level of control. though again there will be computer latency and maybe extra noiseso I don't know how viable it would be outside a recording situation. It doesn’t do cabinet simulation, FX, or try to simulate amp models. It’s generally a lot more subtle than what you get out of amp sims. It can be very useful on acoustic guitar, and maybe to surgically warm up or tweak the output from other amp sims. ![]() Therefore, sometimes, there’s a need for the impedance conversion, ground alteration, and level-matching. I know some guys do it though computer/interface as preamp for recording or live playing. Like running the guitar signal through the guitar effects pedal, which is set to the bypass, reamping shows several degree of the sonic degradation when compared to playing the guitar live directly into the guitar amp rig. That way live they can ahve all their MIDI changes programmed to the click and no tap dancing required. Sounds ideal but also lots can go wrong if you're not careful. Might as well nab a Pod HD or similar variant to put into a power amp at that point :shrug: With a software-based approach involving amp sims and DAWs, amp sims are always re-amping. This is because your recorded guitar signal is dry, and because the amp sim is a plug-in, it processes your guitar sound on playback. Like hardware re-amping, you can change the amp sim sound at any time. My conclusion for myself atm, is just run all VST's guitar straight to the interface just more convenient right now. but I'm not seriously recording anything amazing so it doesn't matter.Click to expand.I have no idea why anyone would take the time to mic a bass amp (especially if you are doing it in a small home studio!!) when you can just reamp through a sim during the mix. I can still make an argument for recording guitar amps (although it seems to hold less water every year) But bass? Nah. just record the DI and slap a sim on it if you want that amp sound. My favorite thing about using Helix native for this is that I can use a split crossover dual path to split the signal by frequency. I run just the clean DI lowend (250hz) through an amp and cab for some grit and punch and then blend them. ![]() I might also duplicate the original bass DI track and band limit it to just the mids (~500hz-2k) and run that through a distortion pedal sim or decapitator and bring that in under the main bass for added articulation and making it more audible on small speakers. This gives me SO much more control over the final bass tone than recording an actual amp.
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